Master of the macabre Stephen King once said, “If you want to be a writer, you must do two things above all others: read a lot and write a lot.” Many aspiring writers think writing requires a magic formula: a certain number of pages or words a day, a particular brand of pencil, a superstitious … Continue reading
Finishing a project brings about two contradictory emotions: exaltation and dread. On one hand, birthing an idea and witnessing its metamorphosis from squirming caterpillar to a shimmering creature capable of flight offers a sense of gratification few things can. We mere mortals accomplished a feat of God-like proportions: we brought something into being that previously didn’t exist! … Continue reading
“John Laroche is a tall guy, skinny as a stick, pale-eyed, slouch-shouldered, and sharply handsome, in spite of the fact that he is missing all his front teeth.”- Susan Orlean, The Orchid Thief “The Santa Anas blew in hot from the desert, shriveling the last of the spring grass into whiskers of pale straw. Only … Continue reading
For me, writing has always been a steamy love affair. Whenever I can, I snatch a few moments to scribble: when I have five minutes to kill before heading to work, when I’m waiting on my boyfriend to finish getting ready for dinner. Writing is something I lust after. Yet at times writing is a temperamental … Continue reading
Why I write. I stole the title of this piece from Joan Didion who stole it from George Orwell. “I write,” she confessed in her superb 1976 essay, “to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.” Much like … Continue reading
All writers occasionally doubt themselves when they revisit their work. “You, a writer?!?” our censors scoff, “can your sentences be any more choppy?” “And that ending? Could you conclude in a more predictable way? I thought we did away with ‘in the end’ and ‘all and all’ in 2nd grade?” Suddenly, our work, our whole … Continue reading
When contemplating a piece of work, Julia Cameron advises we’d do better to think whom is this work for? whom will it serve? rather than how will it serve me? Pondering this notion of art as service, I’m reminded of Austrian poet Rainer Maria Rilke’s luminous Letters to a Young Poet, a collection of his five … Continue reading
“It is possible to write out of ego. It is possible, but it is also painful and exhausting. Back in my drinking days, I used to strain to be brilliant, to write the best, the most amazing, the most dazzling…Is it any wonder that additives seemed like a good idea, like a secret hidden advantage … Continue reading
After nearly 4 months, I finally finished the piece I was working on. Now that it’s complete, I’m nagged by that dreaded inevitable question: “what’s next?” This feeling is familiar to most writers. We work untold hours diligently, dedicatedly, even obsessively on a project, completely absorbed in an idea only to finally finish and feel … Continue reading
William Zinsser once said, “The most important sentence in any article is the first one.” Though they’re the most vital part of a piece, hooks are often the most difficult to construct. Sometimes the task of constructing a proper lead is so tough, I just dive right into the material. That or begin with a stock template out of … Continue reading
The Blank-Faced Confidante 