Writing Lessons from Roald Dahl’s “Lamb to the Slaughter”
Writing Lessons

Writing Lessons from Roald Dahl’s “Lamb to the Slaughter”

“Read, read, read,” implored William Faulkner, “Read everything—trash, classics, good and bad, and see how they do it.  Just like a carpenter who works as an apprentice and studies the master.  Read!  You’ll absorb it.”  Ray Bradbury shared Faulkner’s exuberant enthusiasm for reading, “If you stuff yourself full of poems, essays, plays, stories, novels, films, … Continue reading

Writing Lessons: Clarity & Curiosity in Donna Tartt’s “A Secret History”
Writing Lessons

Writing Lessons: Clarity & Curiosity in Donna Tartt’s “A Secret History”

I love studying superb sentences.  I get almost unparalleled pleasure from uncovering how parts of a sentence work together to produce an effect.  You could imagine my delight when I discovered Allegra Hyde’s beautifully-articulated essay “What Makes a Great Opening Line?”. Why, Hyde wonders, does one fall in love at first sentence? In our distracted … Continue reading

Writing Lessons From Jhumpa Lahiri’s “A Temporary Matter”
Writing Lessons

Writing Lessons From Jhumpa Lahiri’s “A Temporary Matter”

I’ve never conceived myself as a fiction writer.  Though I’ve loved getting lost in a great story for as long as I can remember (my fondest memories are huddling with the American Girl series under floral covers), I never imagined I could write them myself.  Writing stories was for other people, people more imaginative and inventive than myself. As … Continue reading

Make a Date with the Muse: Writing as Commitment
Artist's Inspiration

Make a Date with the Muse: Writing as Commitment

Sometimes our relationship with the muse feels like a situationship.  Our connection has many of the characteristics of a serious romance, but none of the commitment.  Like a couple, we’ll listen attentively to each other’s problems, we’ll text each other “how’s your day?”, we’ll kiss, we’ll have sex.  We might even go to Saturday brunch … Continue reading